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THE PLACE WITHIN


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The Quest – St Mary’s and Michael’s Church Urswick

Part 3 The mythical storytelling of the Knights in Cumbria

They arrived at the northern coastline after nightfall. Immediately beyond the shoreline, the sounds of the woodland became apparent. The forest transitioned seamlessly from sandy terrain to the firm, crisp substrate beneath the canopy of leaves.

Their walk took them towards the starlight sky. At its summit, they felt the breath of the planet, the wind caressing their path, that now coiled down the earthly side of their mission to the Pele tower of the church. As they continued to walk the winding path the stories of those who arrived at this location over the centuries moved them within their hearts. The pilgrims, and the mystics appeared to be walking with them like their times on the labyrinth. Inside the thick stone walls, there was a distinct atmosphere; the stones seemed to hold a notable presence. Accounts from elders had long referenced this location as one established by the first Christians. It has been maintained by local villagers that continue some of the oldest traditions, their traditions from New Jerusalem and before.

The moon slanted through high windows onto the ancient stone floors worn smooth by generations of footsteps. Outside, the breeze sang through the yew trees in the graveyard. The night seemed to hold its own benediction. Wrapped in their cloaks, their faces softened, free from the strain of flight and fear. Here, within walls blessed by both time and faith, they trusted the silent guardianship of the stones.

Upon awakening, Godfrei felt well-rested and appreciative of the restorative sleep and profound dream state he had experienced. The sense of guidance provided by the “Her” remained with him. He recalled a similar depth of reflection during his travels as a young man in desert caves, where his early initiations with the elders took place. The resonance of the church evoked memories of those subterranean environments, akin to the nurturing spaces revered by the keepers of the Way. The church appeared intentionally designed to mirror the qualities of those ancient, earthbound sanctuaries.

When he stepped outside, instead of encountering the glaring sunlight he remembered from the rocky enclosures of his past, he was met with a gentle morning mist and diffused light. This was “Her” language —an environment characterized by vitality, abundance, and growth. The language of Her presence, Mary of the Fields. As he gazed across the landscape, he noticed a statue, he must have brushed passed Her in the night, unaware of Her standing before him, arm sweeping over her feet. And just behind Her in the field beyond, the standing stone.

Godfrei surveyed this landscape, absorbing the freshness of the morning dew, and his reassured vision of the path ahead. He recognized a growing awareness, welcoming him as he approached the final stage of his journey. His calling to reach the Monastery was strong, his bones ached for the restorative enclosure of the Abbey, but his spirit was already there. It felt like his heart was flowing psalms into his veins, chanting rhythmically with every breath.

AI image

This is the St.Mary and Michael church at Little Urswick UK, her previous name was St. Mary in the Fields. This church has history dating to the 10th century. A patronage of the Savigny and Cistercian orders, with a Stone Cross with Viking runic markings, the Tunwini cross. The tower has a sandstone Mater Dolorosa carving from Furness Abbey after the dissolution. And yew trees at the gates. The history emanates the rich spirit of land, place and space. For more information look at the Historical fragments at the Church.

Here, in the Church we find another Graveslab, a thirteenth century ‘Le Franceys’ grave slab which currently stands next to the ‘priest’s door’ in the chancel of Urswick
church. The slab is flat and tapered from head to foot with ‘floriated cross elaborately
carved in relief, and inscribed along the chamfered edge, in Longobardic characters + HIC :
JACET : AMICIA : FILIA : JOHANNIS : FRANCESSI, John Le Frances, named as witness to Roger de Lancaster in Ulverston in 1284 . HIC AMICIA engraved into the slab indicated a statement like Here lies a dear friend.

The stained glass windows above the altar had the most wonderful display of heraldic shields. The surroundings windows throughout the church had fabulous symbology to go and decipher for your pleasure.

This little Church is full of history and legends of Celtic Cumbria in Furness and the Tunwini Cross.

There are many delightful stories and history named in Ossik Coots and Collared Doves. Check by Reverend Colin R Honour. M.Ed.


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Home of Inspiration

This is Brantwood, home of John Ruskin (1819-1900) the artist, writer and champion of the welfare state. Ruskin absorbed the natural world around him and expressed his talents through paintings and poetry. In 1869 he was Professor of Fine Arts at Oxford and established the Ruskin School of Drawing (wikipedia.org).

The Brantwood Estate is suspended, afloat on the hillside above lake Coniston Water. The house  continues his legacy by exhibiting local artist’s work in a gallery. The gardens display the array of inspiration and the footpaths lead to the lakeside.

Afloat

 


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A Days Work…..

What did you do today?
I pushed out the boat
Watched over my shores
Kept possibilities afloat

I swaggered the banner
And raised the tide
Worked through anguish
For our sense of pride

I swept out the doubts
That folded around
Housing cool whispers
Putting fears to ground


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Cloisters

Fountains Abbey was founded in 1132 . It is situated in North Yorkshire and is a great place to visit. It boasts beautiful stone masonry with arching, angular cloisters which remain to this day.


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The Beauty of Urbex

“Urbex (urban exploration or UE) is the exploration of man-made structures, usually abandoned ruins or not usually seen components of the man-made environment”(Wikipedia).

These buildings are often abandoned hospitals, asylums, and industrial buildings, areas that look desolate. I am always intrigued by such photographs. To me they hold a history of a bygone age, a story of our society from an era now removed from our existence. These buildings often served the community and held a workforce of many in our towns and cities.

The images are often taken in black and white, to me this is to represent the historical value what is being captured, but what I ask,  is the onlooker to see deeper into the psyche of urbex pictures. Try to imagine the time and motion of the buildings in their working form, such as a busy hospital ward, workers in the factory and life within the picture, not just the abandonment of its current existence.

The beauty of these pictures is their past to present portrayal. I have tried to take some urbex photographs recently on a visit to Lancaster Castle.  The history of the Castle is thought to go back as far as Roman times as a fort and in the 11th century came under Royal possession as a medieval castle. It has a dark history of executions and the Lancashire witches trials in the 17th century.

The Castle is also known for being a Prison until 2011, but now it is a historical monument, open to the public as a visitor’s attraction for tours.

For Cee’s Black and White Photo Challenge: What is beautiful to you

Here are some Urbex Experts;

Urbexunderworld

Americanurbex

BehindClosedDoors